...The Door
“Not a single nail or screw in it mate” boasted the bloke at
the reclamation yard. I looked the heavy oak door up and down. It consisted of
several large planks, clearly oak by their grain pattern, all bearing the marks
of hand hewn timber. The rippled surface, probably made that way by an
incredibly sharp side axe or fairly flat adze was as dark brown as very old oak
should be and polished smooth by a mixture of exposure to the elements and
centuries of grubby hands pushing it open and pulling it shut. Here and there,
where the oak planks were deemed already too thin to remove any more shavings
by the craftsman, underlying saw marks could be seen. A motor driven circular saw
would have left curved, arcing marks but these were parallel and irregular.
“Pit sawn” said the reclamation yard owner and then proceeded to tell me all
about where the phrase ‘being the underdog’ came from (I already knew this but
listened politely). Every single plank
was fixed side by side to two horizontal bracing bars top and bottom. As the
owner had quite rightly pointed out, not by nails or screws but instead by
drilling a hole through both components and fitting a round peg, splayed at
each end with a hard wood wedge, then cut flush to tidy it up. The two horizontal
bracing bars, also hand hewn were securely dovetailed, pegged and wedged into a
sturdy oak post on one side which protruded above and below the door. These
protrusions were rounded at the ends and also polished smooth through wear. “This
is the clever part” blurted the owner, sensing a deal was on the cards, “these rounded
protrusions sit inside a carved socket, top and bottom on the inside of the door
frame and that’s yer hinging mechanism. Clever eh? Must’ve had to keep ‘em
greased though, with a door this heavy!”
I was fascinated, the whole door consisted of wooden components, hinges, fixings, everything… made entirely using hand tools. I tried my hardest to look nonchalant about the whole thing but there was no way I was leaving without that door! After parting with a small fortune I scurried home with my new workshop door vowing that I could make back the extortionate cost by working extra hard over the next few months. Unbeknownst to me at the time, this impressive example of rural craftsmanship from a bygone era was to become the inspiration behind many of my experimental bushcraft projects for it showed exactly what can be achieved with an open mind, a modest tool kit and a working knowledge of both raw materials and the age old techniques required to do something useful with them. This self-sufficient mind set combined with a desire to push boundaries, always striving for betterment is in many ways, the perfect summing up of my own interest in bushcraft and traditional skills.
Fast forward to winter 2009 and a discussion round the
campfire about the need for an equipment storage shed of some sort at our
woodland teaching site. It would have to blend easily into it’s surroundings,
preferably using natural materials in it’s construction. In fact, why not make
it using entirely natural materials? As the discussion develops it becomes
clear that we are no longer designing a storage shed but a long term shelter,
more than capable of keeping out the weather all year round. A sort of scaled
down early Anglo Saxon house complete with walls, thatched roof and a door – what
a perfect opportunity to showcase the instructor’s shelter building talents and
test out a few theory’s on the longevity of a carefully constructed long term
shelter? But, staying true to our minimalist ethos we should build it using
only natural materials sourced on site and the hand tools carried as part of
our standard bushcraft kit. The idea quickly barged it’s way to first place on
the ‘to do’ list and before long,
brimming over with motivation I found myself back in the woods on a
slightly frosty spring morning ready to start work.
Anyone with any knowledge and practical experience of
constructing shelters in the woods knows that building the door first is a very
back to front way of going about the task in hand. Adding a door to your
shelter is a great way of improving it’s efficiency, keeping heat in and foul weather
out. The fire draw is improved sending the smoke straight up and out through
the smoke hole while shutting out the draught reduces firewood consumption
dramatically. Having the ability to construct a door will make your shelter
feel like a home, but…from a survival point of view, your first priority has to
be getting a roof over your head and providing immediate protection from the
elements. On this occasion however, due to the experimental nature of the build
and the fact that there was no-one around to tell me otherwise, I decided to
invest my time in making a sturdy door that would hinge open and closed and
last for a fair few years.
This was an exciting prospect! Making a hinged shelter door
that echoed the craftsmanship of my beloved and ancient workshop door,
completely free of any metalwork or iron fixings is an itch I’d been wanting to
scratch ever since I’d clapped eyes on it at the reclamation yard years before.
With only a minimalistic set of tools, this would be a real challenge. In fact,
the only concession to the tools I normally carried with me in my pack for long
trips (small sheath knife, folding pocket saw, small crook knife, homemade
folding bucksaw and a Swedish axe) was a traditional hand operated bit brace
for drilling holes. The ability to drill holes in wood launches your woodland
joinery forward several centuries, enabling the construction of proper pegged mortise
and tenon joints, uniformal and speedy joints for chairs, benches and stools,
in fact any number of ambitious carpentry antics. My previous attempts at
improvised hole drilling in wood had included burning holes either with
carefully managed hot coals or by rotating a hard wooden spindle until a
charred hole was formed. Clamping a triangular section of flint and even a
metal drill bit in the spindle of a bow drill set had also worked well enough
but all these methods were time consuming and exhausting. I concluded that if I
ever embarked on an expedition where some fancy furniture for camp would be
required I would quite happily pack a bit brace in my pack and suffer the 3lb
weight penalty. Otherwise, I’d just lash stuff together. So, with the addition of the bit brace well
and truly justified (in my head anyway) I set to work.
A silver birch tree had recently fallen across the track
resulting in a long section needing to be sawn free to re-open access to camp.
The trunk was pretty thick and the wood quite straight grained by the looks of
it so I decided to split it into as many planks as possible forming the bulk of
the door, but first I would have to use my carried steel tools to create more task
specific tools from local materials. A thick length of hazel was hastily hacked
into a set of splitting wedges whilst a seasoned ash limb became my maul, one
end whittled into a hand sized handle. By starting off the central split with
my axe and maul then extending it along the grain with the hazel wedges, the
birch cleaved in half cleanly and evenly, followed suit (amazingly) by each of
those two halves splitting perfectly again with very little tapering off. Four good
planks from one log, bonus!
Next I needed a hinging post which would ideally have two
bracing bars sprouting out of it to fix the planks to. After the extremely
jammy plank splitting episode I expected to find the perfect piece straight
away but it wasn’t to be. An extended trek through the coppice eventually
revealed a fallen, horizontal hazel which had a well developed sun shoot
growing out of it at almost 90 degrees, giving me one integral conjoined bracing
bar. The second, lower bracing bar could be dovetailed in place. The birch
planks were flatted and smoothed with a few careful slicing cuts from the axe
and laid side by side ready to be joined together. With the second bracing bar
housed into the hinging post by way of a dovetailed half lap joint, I was ready
to drill the first peg hole. Both parts of the dovetail joint were green wood and
so very easy to drill. I whittled the round, tight fitting peg from seasoned
ash, the theory being that as the green wood dries and shrinks around the
already seasoned peg, the drilled hole will naturally distort into an oval
shape, squeezing the wedged peg even tighter.
Before hammering the peg through
both halves of the joint, I carved a leading edge on the face and made a saw
cut in each end to accept the wedge (saw cuts were made at 90 degrees to each
other to avoid the peg splitting in two). Depth of cut was important as the saw
cut had to extend down into the joint to allow the wedge to splay and holdfast.
The wedges needed to be even harder than the ash so, imagining my poor knife
blade wincing at the thought I opted for some nearby, ultra hard ‘bone oak’ and
whittled up a couple. Finally, the first peg was hammered home then fixed
firmly in place with a bone oak wedge in each end. Solid as a rock! Spurred on
by the success of what looked to me like an extremely neat, effective bit of
back woods carpentry, lunch was hurriedly scoffed on the hoof as each plank was
then fixed to the two bracing bars in exactly the same way. With every peg
wedged firmly in place the door could be stood up and propped on a corner with
absolutely no movement in the joints at all.
The hinging post had been left to protrude a good hands
width from the top and bottom of the planks. Both protrusions (we’ll call these
hinge nubbins) were then rounded off and whittled as smooth as possible to
reduce friction as the door swivelled open and shut in it’s frame. I wasn’t
sure how the frame would be built into the shelter at this point so I selected
two sturdy, seasoned hazel logs to form the all-important top and bottom pieces
(lintel and sill) which would clamp the door in place. These were left overly
long to be built into the shelter framework at a later date. A bit of nifty
crook knife work later and both sill and lintel had a smooth, hollow socket
ready to accept the rounded protrusions on the hinging post. With frame pieces
temporarily held in place clamping down over the hinge nubbins, the door
creaked open and shut with a noise befitting of your average haunted mansion!
Suspecting some binding in the bottom socket I hunted around in some nearby
flint knapping debris and found a nice little disc which fitted the base of the
socket nicely. Now, with nubbins held in corresponding sockets and the full
weight of the door sitting on a smooth flinty surface, it swung back and forth
beautifully.
By way of an encore and now fighting against the setting
sun, I whittled like fury to knock out a pleasantly curved door handle and
thumb type latch before nightfall. Using my head-torch as a makeshift stage light
I proudly leaned the solid plank door against a tree to observe my work, a
fitting homage to the unknown craftsman who had toiled away on my workshop door
centuries before. I think he would’ve been chuffed to know that his work had
inspired me several lifetimes later. Having to stop work and sleep now seemed
unfair. I almost couldn’t wait to get started on the rest of the shelter so
that my new door could have a purpose in life. Images of how the finished
shelter might look filled my head - walls of woven hazel, strong sloping
rafters stained black with wood-smoke supporting a thick thatch of leaves and
bracken, room to stretch out, sleep, cook and work. A home for all weathers
made from nature, using only the tools in my back pack and the knowledge in my
head. The true essence of bushcraft!
The finished and hung door. Note the hinging design - protruding nubbins clamped between two carved sockets on the fixed frame. While you're looking at it check out the integral top brace, the natural sun shoot from the fallen hazel which became the hinging post. Took me ages to find that...
Tune in for part two tomorrow to see the finished shelter and a
step by step account of the build.
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